By Richard Bauman
Drawing on his paintings in Iceland, eire, Scotland, North the United States, Ghana, and Fiji, linguistic anthropologist and folklorist Richard Bauman provides a chain of ethnographic case experiences that supply a glowing examine intertextuality as communicative perform.
- A interesting viewpoint on intertextuality: the concept written and spoken texts communicate to each other, e.g. via style or allusions.
- Presents a sequence of ethnographic case reports to demonstrate the topic.
- Draws on a huge diversity of oral performances and literary files from around the world.
- The author’s advent units a framework for the research of style, practice and intertextuality.
- Shows how performers combination genres, e.g., telling tales approximately riddles or legends approximately magical verses, or developing revenues pitches.
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Extra info for A World of Others' Words: Cross-Cultural Perspectives on Intertextuality
One last point. In the climactic narrated event of the story, the first two question–answer sequences are rendered as reported speech. The speech acts that make up these sequences constitute the narrative action. In the third exchange, however, there is an important additional element. Here we have not only the speech acts of the King and Jack, represented as direct discourse in which the King poses his enigmatic question and Jack answers, but also the enactment or embodiment of the ultimate enigma: the miller is Jack.
In the other two versions, the sequence of three questions is also trebled: the first posing of the questions by the King or laird, the relating of the questions to the young substitute, and the climactic posing of the questions at the end, when they are answered. The replays, we may observe, may take a variety of forms, cast as reiterations, reports, questions, abbreviated reminders, and so on. And earlier in the chapter, in discussing the compulsive power of questions, I appealed to Schegloff and Sacks’ notion of adjacency pairs, in which the utterance of the first pair part calls for a response.
What I have tried to suggest in this chapter is the productiveness of such formal analysis, framed as a problem in the mutual contextualization of primary genres. In order to accomplish a telling of a kraftaskáld legend, the narrator must accomplish the management of contextualization, determined to a significant degree by the formal and functional capacities of the genres brought into dialogue, here saga and vísa, story and verse. My analysis has been meant to show for this one dialogic form how that generic contextualization gets done.
A World of Others' Words: Cross-Cultural Perspectives on Intertextuality by Richard Bauman